Tanya St-Pierre
Tanya St-Pierre Artist in Residence Artist in Residence
Monday, November 29, 2010
How To Clean Syphilis
(Français FOLLOWS) 
Since 2001, I maintained a production facility visual and sound that combines my practice in digital imaging, sculpture, and more recently in painting and video. Having dedicated my long artistic practice to explore possible relationships between the facility and new visual art and narrative, I explore today the result of the gradual deterioration of the narrative. Getting the benefit of an approach rooted out of a total and deterministic fictitious proposal, which tends towards more poetic proposals, this latest offering spasms of fiction do not fully revealing. Found in my recent productions torn traces narratives, fiction, body and especially of figures - such as icons or symbols - more abstract and subtle at once, which survive and live, in rehearsal, the images in a constellation rawest elements and stripped. 
The body occupies an important place in my work. He is ill and failed, now or concealed, once placed in a context of reflection, it represents a powerful vehicle of cultural information. The body becomes a site of reflective practices around the concepts discussed. I am particularly interested in regard to the surf and the history of the human condition, especially on matters related to the cultural history of this body in institutional sovereign or diffuse: traces and sediments accumulated pathologies societal.
The importance of the body extends into my work performance in the duet Noïzefer CWU formed by Philippe-Aubert Gauthier and myself. CWU Noïzefer explores and exploits the action, sound and video. It uses an aesthetic language of both aggressive, corrosive and poetic. This language brings garbage, rickety buildings, speech and noise amplified to raise some questions about unbridled cultural alienation, the history of representation, illusion, in art, society and the media . Site and location of practices experimentation arising Tanya St-Pierre and Philippe-Aubert Gauthier.
visual artist originally from Ottawa (Quebec, Canada), Tanya St. Pierre currently lives and works in Sherbrooke. She obtained in 1998 a Bachelor of Fine Arts from UQTR. Since 2001, production and audio visual installation - dedicated to the study and exploration of possible relationships between the facility and new visual art (and art media), digital imaging and narration - addresses themes related to the human condition and social situation. Through this production, the artist offers a look at various social ills on the representation of the body, body sick and faulty, and that by questioning the modes of representation from two large and opposite archetypes of the apprehension of the world scientific thought (or rational) and mystical thought (or magic, sometimes called archaic).
Tanya St-Pierre was the recipient of three scholarships CALQ (research and creation in visual arts and media arts) and three grants to artists ambassadors for the city of Sherbrooke. His installation work and digital imaging has been presented since 2000 in group exhibitions and two solo exhibitions in Quebec. In 2009, she had the chance to do two artist residencies in Brooklyn, New York and Quebec Medusa complex. Member of duet performers NOÏZEFER CWU, she participated in various events, arising in various contexts: in Rouyn-Noranda, Sherbrooke, Chicoutimi, Quebec, Trois-Rivieres and Montreal.
*************
Tanya St-Pierre
Artist in Residence
Originally from the Gatineau (Quebec , Canada), Tanya St. Pierre Is A visual artist lives and works Who Presently in Sherbrooke. In 1998, she completed a Bachelor’s degree in plastic arts at UQTR. Since 2001, she has been producing visual and sound installations which study and investigate new and possible relationships between installation, digital imaging and narration, which explore themes associated with contemporary human and social conditions. Through these productions, the artist proposes an examination of various social problems and the representation of the human body, a weakened and diseased body, casting doubts on the modes of representation that have issued from the two archetypical and antipodal approaches to coming to terms with reality: scientific, or rational, thought and mystical, or magical, so-called archaic, thought.
Tanya St-Pierre has been the recipient of three CALQ grants (for research and creation in visual and media arts) and three grants awarded by the city of Sherbrooke. Since 2000, her installation and digital imaging work has been featured in various group exhibitions and two solo exhibitions in Quebec. In 2009, she completed two artistic residencies, one in Brooklyn, New York and the other at the Complexe Méduse in Quebec City.
As a member of the performance duo NOÏZEFER CWU, she has participated in collective events in various contexts in Rouyn-Noranda, Sherbrooke, Chicoutimi, Quebec City, Trois-Rivières and Montreal.
The body occupies an important place in my work. He is ill and failed, now or concealed, once placed in a context of reflection, it represents a powerful vehicle of cultural information. The body becomes a site of reflective practices around the concepts discussed. I am particularly interested in regard to the surf and the history of the human condition, especially on matters related to the cultural history of this body in institutional sovereign or diffuse: traces and sediments accumulated pathologies societal. The importance of the body extends into my work performance in the duet Noïzefer CWU formed by Philippe-Aubert Gauthier and myself. CWU Noïzefer explores and exploits the action, sound and video. It uses an aesthetic language of both aggressive, corrosive and poetic. This language brings garbage, rickety buildings, speech and noise amplified to raise some questions about unbridled cultural alienation, the history of representation, illusion, in art, society and the media . Site and location of practices experimentation arising Tanya St-Pierre and Philippe-Aubert Gauthier.
visual artist originally from Ottawa (Quebec, Canada), Tanya St. Pierre currently lives and works in Sherbrooke. She obtained in 1998 a Bachelor of Fine Arts from UQTR. Since 2001, production and audio visual installation - dedicated to the study and exploration of possible relationships between the facility and new visual art (and art media), digital imaging and narration - addresses themes related to the human condition and social situation. Through this production, the artist offers a look at various social ills on the representation of the body, body sick and faulty, and that by questioning the modes of representation from two large and opposite archetypes of the apprehension of the world scientific thought (or rational) and mystical thought (or magic, sometimes called archaic).
Tanya St-Pierre was the recipient of three scholarships CALQ (research and creation in visual arts and media arts) and three grants to artists ambassadors for the city of Sherbrooke. His installation work and digital imaging has been presented since 2000 in group exhibitions and two solo exhibitions in Quebec. In 2009, she had the chance to do two artist residencies in Brooklyn, New York and Quebec Medusa complex. Member of duet performers NOÏZEFER CWU, she participated in various events, arising in various contexts: in Rouyn-Noranda, Sherbrooke, Chicoutimi, Quebec, Trois-Rivieres and Montreal.
*************
Tanya St-Pierre
Artist in Residence
Originally from the Gatineau (Quebec , Canada), Tanya St. Pierre Is A visual artist lives and works Who Presently in Sherbrooke. In 1998, she completed a Bachelor’s degree in plastic arts at UQTR. Since 2001, she has been producing visual and sound installations which study and investigate new and possible relationships between installation, digital imaging and narration, which explore themes associated with contemporary human and social conditions. Through these productions, the artist proposes an examination of various social problems and the representation of the human body, a weakened and diseased body, casting doubts on the modes of representation that have issued from the two archetypical and antipodal approaches to coming to terms with reality: scientific, or rational, thought and mystical, or magical, so-called archaic, thought.
Tanya St-Pierre has been the recipient of three CALQ grants (for research and creation in visual and media arts) and three grants awarded by the city of Sherbrooke. Since 2000, her installation and digital imaging work has been featured in various group exhibitions and two solo exhibitions in Quebec. In 2009, she completed two artistic residencies, one in Brooklyn, New York and the other at the Complexe Méduse in Quebec City.
As a member of the performance duo NOÏZEFER CWU, she has participated in collective events in various contexts in Rouyn-Noranda, Sherbrooke, Chicoutimi, Quebec City, Trois-Rivières and Montreal.
Sunday, November 28, 2010
Can Herpes Come On Your Legs?
Cry, transmit and loves
Elegy to an American , Siri Hustvedt
Fathers, even fathers, fathers always. As one of the most beautiful voice in American literature.
A serious breach. Since our blog exists, we have not yet had the opportunity to talk about Siri Hustvedt. Yet What I Loved is certainly one of the books that has most marked. As in his essays on painting ( Mysteries of the rectangle) or on various topics ( Plea for Eros), writing that many too easily reduced to the status of "woman of "has a magnetic force and immerses you, the time to read, in a sensible world, familiar and strange. A fairly deep to see the contemporary world and human relationships, art, language, ...
Fathers, even fathers, fathers always. As one of the most beautiful voice in American literature. A serious breach. Since our blog exists, we have not yet had the opportunity to talk about Siri Hustvedt. Yet What I Loved is certainly one of the books that has most marked. As in his essays on painting ( Mysteries of the rectangle) or on various topics ( Plea for Eros), writing that many too easily reduced to the status of "woman of "has a magnetic force and immerses you, the time to read, in a sensible world, familiar and strange. A fairly deep to see the contemporary world and human relationships, art, language, ...
In his last novel to date, as we find in What I Loved the weight of death and mourning. Erik Davidsen, divorced psychiatrist, has just lost his father in the business of emptying it, finds a letter suggesting the possibility of a disturbing secret. Erik tries to find clues in Memoirs left by his father and revisits the lives of his family, marked in particular by the Pacific war, including wars in Afghanistan and Iraq are the echo.
The father is the central figure in the story. Deceased father, absent father, father missing. All the characters of the novel trying to build or rebuild itself by rethinking and confronting their foundations. Inga, Erik's sister, the widow of a famous writer, discovers the dark sides of life of her husband and tries to protect his teenage daughter who keeps silent in her suffering since the attacks of 11 September. Miranda, the new neighbor with Erik immediately fell in love, raise her daughter alone in the shadow of an absent father and yet very disturbing. His stories are different cross those patients of Erik to form a community of characters but suffering, and that's obviously what comes to save the book, struggling. It is also much talk of transmission, a theme that seems to inhabit deep American writers today.
The father is the central figure in the story. Deceased father, absent father, father missing. All the characters of the novel trying to build or rebuild itself by rethinking and confronting their foundations. Inga, Erik's sister, the widow of a famous writer, discovers the dark sides of life of her husband and tries to protect his teenage daughter who keeps silent in her suffering since the attacks of 11 September. Miranda, the new neighbor with Erik immediately fell in love, raise her daughter alone in the shadow of an absent father and yet very disturbing. His stories are different cross those patients of Erik to form a community of characters but suffering, and that's obviously what comes to save the book, struggling. It is also much talk of transmission, a theme that seems to inhabit deep American writers today.
Needless to say, you will certainly understand, this novel carries a great sadness that I was particularly touched. Without playing on the identification easy Hustvedt manages to give his characters, yet all very brooklyniens sores, a profound dimension, human and almost universal. So of course this is very steeped in psychoanalysis (through the story of dreams, etc.) but without dogmatism. The pace is quite fragmented, sometimes rambling but very controlled. And like those other novels, the author takes us into an atmosphere and a special color that attracted me.
A beautiful portrait of our times.
Thursday, November 25, 2010
Kingdom Hearts 2 The Four Medallions
Stefanie Tremblay / Book Launch
STEFANIE TREMBLAY
RINCEBOOK, 30 days never offline
STEFANIE TREMBLAY
RINCEBOOK, 30 days never offline
Published by the Centre SAGAMIE Thursday, December 2, 2010 at 17h In National Exhibition Centre (NEC) Jonquière
4160, of Old Bridge, Jonquière, 418 546-2177 ext 4602
Rincebook is the result of an experiment demonstrating the loss of time to flirt on social networks like Facebook. Presented in the as 30 days, never offline, Stefanie Tremblay told through this book and the simple movements of everyday thoughts insignificant to the screen of a computer. Cloistered one month within four walls, she questioned some of his "addiction" strange voyeurism or interest in a new poetry ephemeral sculpture. Instead of displaying his feelings in public, the artist uses
Rincebook diary as setting a unique aesthetic language in which drawings, archives and photos displayed. A Brief History of lancing of blackheads, seeking lovers potential and / or speed drills language without punctuation ... Lies, reviews, publications, isolation and pathos solicitors reflect the Dark Side of Facebook.
Stefanie Tremblay lives and works in Saguenay. After undergraduate studies at the University of Quebec at Chicoutimi, she obtained a Bachelor of Fine Arts and Cinema (2006). She also completed her Master of Arts, EDO (2009). In her research, she looks ridiculous self-reflections on their life, vowing to make his life a narrative of inspiring for its autonomous artistic creation projects, oriented to various digital processes and colored by writing and rock. Constantly staging, the artist retains the ambiguity about the nature of his character, not even knowing it-even if it is fiction or real news intimate.
His works have been presented in solo exhibitions at Toque Rouge and the lobe (Chicoutimi) in the context of the long summer residence (2007). His latest project Long games was presented Espace Virtuel (Chicoutimi) in winter 2009. His video work was shown in group exhibitions (The work of the Other, Chicoutimi) and during the festival Videographers Wanted (Quebec). Rincebook is her first film as a book artist.
To order: Stefanie Tremblay rincebook, 30 days never offline
68 pages, text in French only, 6 1 / 2 X 9 1 / 2 ". ISBN 978-2-923612-23-2 2010 Price: $ 20.00 + Shipping in Canada 3.00 + GST 1.15 + PST 0.24 = Total: $ 24.39
Friday, November 19, 2010
Jonas Brothers Bags 2010
Anonymous but not unknown
Last novel of our favorite of the moment: yes, but ...
Ellory is an author who has most excited lately. In these two novels translated into French (we talked about including here), he revisited the thriller to give a deeper insight, one might almost say more literary, with a mixture of dark melancholy, cruelty and appalling In the case of Vendetta, an original rereading of the history of the United States. The dark side, from the shadow of human, horrible, cruel but literarily built. Suffice to say they looked forward to the release of a new novel. But our expectations are often very hard to please and same goes for books ...
The Anonymous appears more like a thriller. A series of murders linked by a violent and frightening procedure, a cop at the end of the roll, a race to the index, etc.. But besides the traditional ingredients of the genre, Ellory able to quickly add a political dimension and reconnect with one of its flagship themes: creating a monster. The investigation of chip advance by jumps, interspersed with the Confessions of fragments of a man, maybe the killer. This parallel story eventually join the investigation to bounce-like large-scale political scandal.
Both say right away, The Anonymous is an excellent thriller that works fully, are avidly devoured. And yet, I expected better. Less depth than in previous novels, a certain sense of déjà-lu (argued that CIA agents are not all choirboys, that's not very original ...), a first portion sometimes slightly laborious (with all twenty pages a sort of rehearsal useless to the inventory of the survey). John Robbey, the villain of the story, may well be a rather well built, it does not have the same size as the anti-hero "elloriens.
So a bit of disappointment but will not prevent me eagerly awaiting the next. Even in view
Emerald .
To end on a high note: an interview with the author directed by BOB .
Ellory is an author who has most excited lately. In these two novels translated into French (we talked about including here), he revisited the thriller to give a deeper insight, one might almost say more literary, with a mixture of dark melancholy, cruelty and appalling In the case of Vendetta, an original rereading of the history of the United States. The dark side, from the shadow of human, horrible, cruel but literarily built. Suffice to say they looked forward to the release of a new novel. But our expectations are often very hard to please and same goes for books ... The Anonymous appears more like a thriller. A series of murders linked by a violent and frightening procedure, a cop at the end of the roll, a race to the index, etc.. But besides the traditional ingredients of the genre, Ellory able to quickly add a political dimension and reconnect with one of its flagship themes: creating a monster. The investigation of chip advance by jumps, interspersed with the Confessions of fragments of a man, maybe the killer. This parallel story eventually join the investigation to bounce-like large-scale political scandal.
Both say right away, The Anonymous is an excellent thriller that works fully, are avidly devoured. And yet, I expected better. Less depth than in previous novels, a certain sense of déjà-lu (argued that CIA agents are not all choirboys, that's not very original ...), a first portion sometimes slightly laborious (with all twenty pages a sort of rehearsal useless to the inventory of the survey). John Robbey, the villain of the story, may well be a rather well built, it does not have the same size as the anti-hero "elloriens.
So a bit of disappointment but will not prevent me eagerly awaiting the next. Even in view
Emerald .
To end on a high note: an interview with the author directed by BOB .
Tuesday, November 16, 2010
Substitute Material For Waxing Strips
Giorgia Volpe
Giorgia Volpe Artist in Residence Artist in Residence
(Français FOLLOWS)
Ma convenient feeds of gestures and objects from the domestic sphere. She led me to experiment polymorphic: in situ projects, video installation, photography and drawing. To accomplish my work, I regularly convenes traditional handicrafts such as weaving, embroidery, knitting, basketry, quilting, mapping, etc.. Through textile metaphor, I accumulate in the everyday gestures memory carriers to make a crossing point between real space and imaginary. Born in Sao Paulo (Brazil), Giorgia Volpe, visual artist and media, lives and works in Quebec since 1998. His work has been presented in Brazil, Canada, the United States, Mexico, Cuba and Europe. She participated in the exhibition It happened near you, Contemporary art in Quebec, the National Museum of Fine Arts of Quebec. She has made numerous solo and group exhibitions, residency projects and government interventions: among others the International Symposium of Engraving and Picture (Edmonton), Centre Vu, the White House, instead, to videotape, to Engramme at the AKI Art (Quebec) , Praxis (St. Teresa), 3rd Imperial (Granby), Dare-Dare to Instant Landscape, at the Darling Foundry (Montreal), Area F (Matane), at Broad and Vague (Carleton). His works are part of several collections of contemporary art in Brazil and Canada.
************* Giorgia Volpe Artist in Residence Artist in Residence
(Français FOLLOWS)
Ma convenient feeds of gestures and objects from the domestic sphere. She led me to experiment polymorphic: in situ projects, video installation, photography and drawing. To accomplish my work, I regularly convenes traditional handicrafts such as weaving, embroidery, knitting, basketry, quilting, mapping, etc.. Through textile metaphor, I accumulate in the everyday gestures memory carriers to make a crossing point between real space and imaginary. Born in Sao Paulo (Brazil), Giorgia Volpe, visual artist and media, lives and works in Quebec since 1998. His work has been presented in Brazil, Canada, the United States, Mexico, Cuba and Europe. She participated in the exhibition It happened near you, Contemporary art in Quebec, the National Museum of Fine Arts of Quebec. She has made numerous solo and group exhibitions, residency projects and government interventions: among others the International Symposium of Engraving and Picture (Edmonton), Centre Vu, the White House, instead, to videotape, to Engramme at the AKI Art (Quebec) , Praxis (St. Teresa), 3rd Imperial (Granby), Dare-Dare to Instant Landscape, at the Darling Foundry (Montreal), Area F (Matane), at Broad and Vague (Carleton). His works are part of several collections of contemporary art in Brazil and Canada.
Giorgia Volpe 
My artistic approach " is inspired by the gestures and items that go to make up domestic, household reality. This leads me to engage in polymorphous experimentation through in situ installations, photography and drawing. To create my work, I regularly make use of techniques derived from traditional crafts such as weaving, embroidery, knitting, wickerwork, quilting, card making, etc. Using fabric as metaphor, I assemble those gestures from daily household life which are rich with memory, creating a passageway between a real and imaginary space . Born in Sao Paulo, Brazil, Giorgia Volpe has been living and working in Quebec since 1998 as an artist in the visual and media arts. Her work has been presented in Brazil, Canada, the United States, Mexico, Cuba and Europe. She participated In The It happened near you, the current art exhibition at Quebec Presented at the National Museum of Fine Arts of Quebec. She has-been featured in solo and group exhibitions Numerous and participated in residency projects and public debates in coming Such As The International Symposium on Printmaking and Images in Edmonton, the Centre Vu, The White House, The Place, The Band Video Engramme, The protest art (Quebec), Praxis (St. Teresa), The 3rd Imperial (Granby), Dare-Dare, Instant Landscape, The Darling Foundry (Montreal), Space F (Matane), Vast and Vague (Carleton). Her work has-been included in IS SEVERAL contemporary art collections in Brazil and Canada.
Monday, November 15, 2010
Most Common Ohio Lottery Numbers
LANCEMENTde three
published by the Centre SAGAMIE 
In the Bookstore PORT HEAD
262 Mont-Royal Est, Montreal, 514 678-9566
This Friday, November 19, 2010 at 17h
Josée Pellerin,
Being there
Dgino CANTIN and Charles Guilbert, The Loggers of the impossible
Lucie Duval, Stories drawn by the ears
Josée Pellerin,
Being there
Authors: Jean-François Caron and Johanne Jarry
How many times have we experienced a real city through fiction and well in advance to be there? How film mediates Does the city and what kind is the actual experience that we are doing? Such stimulation of the imagination do not they end up altering our eyes focused on the surrounding world? The two photographic series and Parade If on a winter night presented in Being there focus on the exploration of real cities and fantasized.
holds an MA in visual arts and training in multimedia, works of Josée Pellerin were presented at events in Quebec, Canada, United States, France and Mexico. In 2005, she was doing an artist residency in Buenos Aires, Argentina, and following that visit, she published "I saw an artist's book entitled Fortunately he had the world around me. Being there builds on themes of this first issue. The artist thanked the Council for the Arts and Letters of Quebec for its financial support
Josée Pellerin , Being There / Being There
Authors: Jean-François Caron and Johanne Jarry 82 pages, full text in French and English, 9 X 6 3 / 4 inches.
82 pages, full text in French and Français, 9 X 6 3 / 4 in.
978-2-923612-18-8 2010
Price: $ 20.00 + Shipping in Canada 1.15 3.00 + gst + pst = 0.24 Total: $ 24.39
***************************
Dgino CANTIN and Charles Guilbert,
The Loggers of the impossible
What do you see in secret? Do you like walking with a loose shoelace? Do you find yourself quite naked when you're naked? How do you watch the sea? Do you like drawing hands that draw? Who are you not? Here are some questions in The Lumberjack impossible. Above all, this project is a meeting fabricated using words, pencil, ink and pixels. Are largely unfamiliar with but who want to conduct a joint Dgino Cantin and Charles Guilbert had the idea of a book of potentially intrusive questions that both should respond with a text and a drawing. Here the knowledge of others is not so intrusive, but rather lopsided, in a metaphoric register. The confessions are made and identities are revealed in a must detour through the imaginary.
Charles Guilbert writes, draws, sings and films. Interested in the everyday and human relationships, he seeks to capture the strangeness of reality through language. He published The Anxious (story) Herb The beautiful red and educational trip (newspaper) published by Dazibao. In 2004, he received, for all of his video work with Serge Murphy, the Bell Canada Award awarded by the Arts Council of Canada. His works have been presented in several European countries, Japan, Mexico, Canada and Quebec, including the Musée d'art contemporain de Montréal at the Biennale de Montréal and the AKI Art Quebec.
DGINO CANTIN draws, photographs, scans and assembling objects. It focuses on areas of uncertainty that may arise from poetic different associations. In its first exposure to what happens next, he was awarded the Videre Polling (awards in art and culture of Quebec City). He then participated in creative residencies in Canada and France. His installations have been presented at events collective and individual exhibitions, including at VU at Caravanserai, the biennial of contemporary art routes and the AKI Art Quebec.
The Loggers of the impossible
Artists and authors: Dgino Cantin and Charles Guilbert
Artist's book, text in French only 120 pages, 8 X 9.5 inches.
ISBN 978-2-923612-20-1 2010
Price: 25.00 + Freight + GST in Canada 3.25 1.41 + 0.26 = qst Total: $ 29.92
***************************
Lucie Duval,
Stories learned by ear
This book project was developed around a common object given me different ideas. Gloves for workers' Made in China "found in packages in all hardware stores. Globalization forces, everything is produced at lower cost in China to the detriment of workers here. The object becomes contradictory workers gloves (made in China) versus unemployed here.
These one hundred and fifty were produced in rabbits rate of about one a day. In addition to what has been written about my motivation, something new has appeared. Unconsciously, the rabbit made such a day reveals something about my state at that time, my world view. Logbook.
This publication is not a catalog, but an object where the images and words will intersect, not without shock, where special care is given to how "give to see." Never forget that these rabbits are somewhat mutilated. First appearance in a candid, naive and bland, we had cut the fingers (those gloves), sewing, mending (which is not unlike some working conditions in factories).
LUCIE DUVAL is a visual artist. For many years, his work revolves around an interference between what is read and what is seen, one course where the words themselves are objects and images. She was born in Mont-Laurier, lives and works in Quebec. She studied at the Ecole des Beaux-Arts in Toulouse and obtained in 1983, the Higher National Diploma plastic expression (DNSEP). She has exhibited regularly in North America, Europe and Asia. His works are part of the collection of loans of works of art from the Canada Council for the Arts and the Musée national des beaux-arts du Québec. She is represented by Galerie Isabelle Gounod in Paris. This is the first time she handles the books as an art object.
Lucie Duval, Stories drawn by the ears
170 pages, 6 3/4X 8 3/4in. Français Translation of the titles at The End of the book
ISBN 978-2-923612-19-5 2010
Price $ 30.00 + Shipping in Canada 5.00 + gst 1.75 + pst 0.39 = Total: $ 37.14
In the Bookstore PORT HEAD
262 Mont-Royal Est, Montreal, 514 678-9566
This Friday, November 19, 2010 at 17h
Josée Pellerin,
Being there
Dgino CANTIN and Charles Guilbert, The Loggers of the impossible
Lucie Duval, Stories drawn by the ears
Josée Pellerin,
Being there
Authors: Jean-François Caron and Johanne Jarry
How many times have we experienced a real city through fiction and well in advance to be there? How film mediates Does the city and what kind is the actual experience that we are doing? Such stimulation of the imagination do not they end up altering our eyes focused on the surrounding world? The two photographic series and Parade If on a winter night presented in Being there focus on the exploration of real cities and fantasized.
holds an MA in visual arts and training in multimedia, works of Josée Pellerin were presented at events in Quebec, Canada, United States, France and Mexico. In 2005, she was doing an artist residency in Buenos Aires, Argentina, and following that visit, she published "I saw an artist's book entitled Fortunately he had the world around me. Being there builds on themes of this first issue. The artist thanked the Council for the Arts and Letters of Quebec for its financial support
Josée Pellerin , Being There / Being There
Authors: Jean-François Caron and Johanne Jarry 82 pages, full text in French and English, 9 X 6 3 / 4 inches.
82 pages, full text in French and Français, 9 X 6 3 / 4 in.
978-2-923612-18-8 2010
Price: $ 20.00 + Shipping in Canada 1.15 3.00 + gst + pst = 0.24 Total: $ 24.39
***************************
Dgino CANTIN and Charles Guilbert,
The Loggers of the impossible
What do you see in secret? Do you like walking with a loose shoelace? Do you find yourself quite naked when you're naked? How do you watch the sea? Do you like drawing hands that draw? Who are you not? Here are some questions in The Lumberjack impossible. Above all, this project is a meeting fabricated using words, pencil, ink and pixels. Are largely unfamiliar with but who want to conduct a joint Dgino Cantin and Charles Guilbert had the idea of a book of potentially intrusive questions that both should respond with a text and a drawing. Here the knowledge of others is not so intrusive, but rather lopsided, in a metaphoric register. The confessions are made and identities are revealed in a must detour through the imaginary.
Charles Guilbert writes, draws, sings and films. Interested in the everyday and human relationships, he seeks to capture the strangeness of reality through language. He published The Anxious (story) Herb The beautiful red and educational trip (newspaper) published by Dazibao. In 2004, he received, for all of his video work with Serge Murphy, the Bell Canada Award awarded by the Arts Council of Canada. His works have been presented in several European countries, Japan, Mexico, Canada and Quebec, including the Musée d'art contemporain de Montréal at the Biennale de Montréal and the AKI Art Quebec.
DGINO CANTIN draws, photographs, scans and assembling objects. It focuses on areas of uncertainty that may arise from poetic different associations. In its first exposure to what happens next, he was awarded the Videre Polling (awards in art and culture of Quebec City). He then participated in creative residencies in Canada and France. His installations have been presented at events collective and individual exhibitions, including at VU at Caravanserai, the biennial of contemporary art routes and the AKI Art Quebec.
The Loggers of the impossible
Artists and authors: Dgino Cantin and Charles Guilbert
Artist's book, text in French only 120 pages, 8 X 9.5 inches.
ISBN 978-2-923612-20-1 2010
Price: 25.00 + Freight + GST in Canada 3.25 1.41 + 0.26 = qst Total: $ 29.92
***************************
Lucie Duval,
Stories learned by ear
This book project was developed around a common object given me different ideas. Gloves for workers' Made in China "found in packages in all hardware stores. Globalization forces, everything is produced at lower cost in China to the detriment of workers here. The object becomes contradictory workers gloves (made in China) versus unemployed here.
These one hundred and fifty were produced in rabbits rate of about one a day. In addition to what has been written about my motivation, something new has appeared. Unconsciously, the rabbit made such a day reveals something about my state at that time, my world view. Logbook.
This publication is not a catalog, but an object where the images and words will intersect, not without shock, where special care is given to how "give to see." Never forget that these rabbits are somewhat mutilated. First appearance in a candid, naive and bland, we had cut the fingers (those gloves), sewing, mending (which is not unlike some working conditions in factories).
LUCIE DUVAL is a visual artist. For many years, his work revolves around an interference between what is read and what is seen, one course where the words themselves are objects and images. She was born in Mont-Laurier, lives and works in Quebec. She studied at the Ecole des Beaux-Arts in Toulouse and obtained in 1983, the Higher National Diploma plastic expression (DNSEP). She has exhibited regularly in North America, Europe and Asia. His works are part of the collection of loans of works of art from the Canada Council for the Arts and the Musée national des beaux-arts du Québec. She is represented by Galerie Isabelle Gounod in Paris. This is the first time she handles the books as an art object.
Lucie Duval, Stories drawn by the ears
170 pages, 6 3/4X 8 3/4in. Français Translation of the titles at The End of the book
ISBN 978-2-923612-19-5 2010
Price $ 30.00 + Shipping in Canada 5.00 + gst 1.75 + pst 0.39 = Total: $ 37.14
Wednesday, November 10, 2010
Thunderbird Turbocoupe Sal
It's my turn
1. John IRVING: Because this is my first literary love teenage ... The first author who made me want to devour all his work.
2. Jean Racine, okay, it's a bit pompous coming from a French teacher. But it happens that I'm seeing Berenice with my students and I was touched again by rereading his Alexandrian.
3. Siri Hustvedt: Xavier aka Consonant Auster has already cited. So as not to repeat, I chose his wife as much as I like. And as I am the female part of our duo, I chose the feminine side of them.
4. Jonathan Coe: What can I say but I love it, I expect each of his books with fervor, he never disappoints me.
5. Jean Cocteau: because I spent my graduate studies at the Orpheus and that of Anouilh. How could I forget ...
6. Henning Mankell: one who persuaded me that crime fiction was often of high quality. Since I read all (or most) of it, police or not. It seems he has done with the Inspector Wallander ... I dare not even think about it.
7. Nancy Huston: it made me cry hot tears in his last two novels. What writing! What a woman!
8. Philip Roth: an incredible mastery of writing and analysis extraordinarily fine in his country the United States. Voiced but you had already said that I loved her ... no?
9. Emile Zola: I love teaching the cycle of Rougon-Macquart. What literary enterprise!
10. Margaret Atwood: poignant stories of women and always fair, it undertakes to tell us the last century or she embarks on the science fiction novel.
11. Gabriel Garcia Marquez: I already loved Love in the Time of Cholera . But Hundred Years of Solitude gave me, a teenager, a passion for great family saga.
12. Harry Mulisch: I know that Xavier / Voiced already cited but The Discovery of Heaven is probably the novel that I would take on a desert island.
13. Rene GOSCINNY: because I love Le petit Nicolas. One of the books the most poetic and funny world. Especially illustrated by Sempé.
14. Haruki Murakami: for his dream and his poetry (yet).
15. Jonathan Safran Foer and his wife Nicole Krauss: both can make us laugh and cry almost at the same time.
I'm sure in an hour, I'll think of plenty of writers that I should absolutely put on this list. I'll try to remember it for next time?
Free Spoon Gerber 2010
Tag your mouth at recess
2. Marguerite Duras: a bit out of fashion but a writer who has marked the end of my adolescence and I relirais although one of these days (or one of my old cf 1) .
3. Jane Austen: because one of my students decided to focus on his heroines for his graduation and that it reminded me how much I had been surprised by the modernity of his female figures, especially in Pride and Prejudice (and as what, it is not just the bloggers!)
4. David Sedaris (which I mentioned here ): an American humorist and writer of great talent who makes me laugh a lot. I won a holiday for long journeys, his lyrics read by itself and, in addition to very good exercise to improve his English comprehension, I laughed a lot.
5. Michel de Montaigne: it an author that I love teaching and I am always struck by the incredible relevance of its tests.
6. RJ Ellory: I am currently reading his latest novel published in French, The Anonymous . The two previous Only silence and Vendetta, are among my best reads of recent years (it was said here ).
7. Michel Houellebecq: it seems he just won a prize ...
8. Christine de Pisan: great memory of my studies. A poet of the 15th century (remarkable in itself) to write sweet, simple and sensitive.
9. Anne-Marie Garat: his trilogy A crossing of the century (that was mentioned here ) has struck my heartstrings. And his writing full and lyrical, although almost anachronistic touches me.
10. Paul Auster: when will the Nobel?
11. Arthur Rimbaud: I really do my job forced me to get interested in poetry and the poetry of this young prodigy continues to intrigue me.
12. JK ROWLING: This blog day after HP and we have never had occasion to mention here the novels for which we found childish feelings.
13. Henry Bauchau: Belgian author (though his nationality does not really matter) of Oedipus on the road, another great read / revelation my adolescence.
14. Emmanuel Carrere: even if I'm still not sure whether I liked it or not (as I said here ) More lives than mine is a book which I look back very often.
15. Harry Mulisch: disappeared recently, he is the author of The Discovery of Heaven a masterpiece.
And without obligation, I pass the tag to Luke's Blog at Globe Player at Bookomaton at Art and Literature (and More) at Réka at Calyste at Zarline in the Pyrenean at Saleanndre at Tiphanie at Clara at Niki at Emerald and, of course, to aka Amanda Vowel . 
A tag received Lystig and quite simple: fifteen authors name and then fifteen blogolectrices tag / readers (see below).
Easy enough ... or not!
1. Marcel Proust: the first that comes to mind long as I caress the envy of immersing myself in research (but when I see the rhythm of my week, I tell myself that it will be for the board ...).
Easy enough ... or not!
1. Marcel Proust: the first that comes to mind long as I caress the envy of immersing myself in research (but when I see the rhythm of my week, I tell myself that it will be for the board ...).
2. Marguerite Duras: a bit out of fashion but a writer who has marked the end of my adolescence and I relirais although one of these days (or one of my old cf 1) .
3. Jane Austen: because one of my students decided to focus on his heroines for his graduation and that it reminded me how much I had been surprised by the modernity of his female figures, especially in Pride and Prejudice (and as what, it is not just the bloggers!)
4. David Sedaris (which I mentioned here ): an American humorist and writer of great talent who makes me laugh a lot. I won a holiday for long journeys, his lyrics read by itself and, in addition to very good exercise to improve his English comprehension, I laughed a lot.
5. Michel de Montaigne: it an author that I love teaching and I am always struck by the incredible relevance of its tests.
6. RJ Ellory: I am currently reading his latest novel published in French, The Anonymous . The two previous Only silence and Vendetta, are among my best reads of recent years (it was said here ).
7. Michel Houellebecq: it seems he just won a prize ...
8. Christine de Pisan: great memory of my studies. A poet of the 15th century (remarkable in itself) to write sweet, simple and sensitive.
9. Anne-Marie Garat: his trilogy A crossing of the century (that was mentioned here ) has struck my heartstrings. And his writing full and lyrical, although almost anachronistic touches me.
10. Paul Auster: when will the Nobel?
11. Arthur Rimbaud: I really do my job forced me to get interested in poetry and the poetry of this young prodigy continues to intrigue me.
12. JK ROWLING: This blog day after HP and we have never had occasion to mention here the novels for which we found childish feelings.
13. Henry Bauchau: Belgian author (though his nationality does not really matter) of Oedipus on the road, another great read / revelation my adolescence.
14. Emmanuel Carrere: even if I'm still not sure whether I liked it or not (as I said here ) More lives than mine is a book which I look back very often.
15. Harry Mulisch: disappeared recently, he is the author of The Discovery of Heaven a masterpiece.
And without obligation, I pass the tag to Luke's Blog at Globe Player at Bookomaton at Art and Literature (and More) at Réka at Calyste at Zarline in the Pyrenean at Saleanndre at Tiphanie at Clara at Niki at Emerald and, of course, to aka Amanda Vowel .
Tuesday, November 9, 2010
Houses To Rent For Senior Week
And the winners are ...
We have not, in vowels and consonants, the passion for literary prizes but for once we have read and chronicled some of the books that come to receive the rewards of autumn. And they're not: they're all books we had, one way or the other, loved.
We have not, in vowels and consonants, the passion for literary prizes but for once we have read and chronicled some of the books that come to receive the rewards of autumn. And they're not: they're all books we had, one way or the other, loved.
The opportunity therefore to remember:
- Sukkwan Island David VANN, foreign Prix Medicis 2010;
- Purge Sofi OKSANEN , Prix Femina foreign 2010;
- Tell them about the battles, kings and Elephants Mathias ENARD , Prix Goncourt 2010 high school students;
- and course map and the territory of Michel Houellebecq , Prix Goncourt 2010.
Monday, November 8, 2010
Where Are The Piece To The Comic
13 minutes
Formula orginale lecturer at the University of Paris Diderot: six successive intervention of 13 minutes flat, on various subjects. You feel the world twitterisation at work ... As best when it forces players to make them understandable and interesting connection. Dialectic between speed and content.
Formula orginale lecturer at the University of Paris Diderot: six successive intervention of 13 minutes flat, on various subjects. You feel the world twitterisation at work ... As best when it forces players to make them understandable and interesting connection. Dialectic between speed and content.
What I learned?
- Early Space is limited to 7 objects, but it can still help us.
- The stars, when it is very dense, very heavy. As if there were one billion tonnes in a teaspoon (robusta probably ...).
- The Digital friending is not a strong relationship, but it may be useful as qu'épouillage office.
- We still do not know really how to spot the birds, nor why the dunes sing.
- Interest in the sweetness comes from the XVth century, from the moment the taste of spicy acid had become too populist, and that the nobles would s'ont tired.
- Revolutions have their poetic moment, before falling in the order or terror.
Ways To Get Rid Of Scratches On Football Visors
15th CHRONICLE PUBLICATIONS DIGITAL
currently on newsstands:
15th CHRONIC DIGITAL
to read in the magazine The Art Sabord number 87. This column by Barbara Guarantor entitled Do not want to sleep, presents the work of three artists who have produced a creative residency at the Centre SAGAMIE: Dgino Cantin, Jean-Jacques Ringuette and Lucie Duval currently on newsstands:
15th CHRONIC DIGITAL
Located in Alma, Lac-Saint-Jean SAGAMIE is a center for research, creation and production open to all artists whose practice area is related to the challenges of the contemporary image. SAGAMIE is particularly recognized for its expertise in hosting artists in residence for creation / production, business publishing and dissemination. The center specializes in digital image processing and large format digital printing in a research context in contemporary art. 
With support from the Conseil des arts et des lettres du Québec, the Conseil des arts Canada and the City of Alma Center SAGAMIE offers one of the most important artists in residence programs in Canada welcomes over 40 artists from Quebec, Canada and abroad. These residencies are designed to proactively support the artists in the development of new works, production of innovative art projects and integrators of digital production tools at their broad spectrum of art practices today. Artists are welcomed for stays intensive creation and are supported in their explorations, with expertise and sensitivity, by a specialized team of technicians / artists in a large computer lab consisting of four wide-format digital printers.
To order this issue or to subscribe to the magazine The Art PORTS:
(819) 375-6223 art@lesabord.qc.ca http://www.lesabord.qc.ca
With support from the Conseil des arts et des lettres du Québec, the Conseil des arts Canada and the City of Alma Center SAGAMIE offers one of the most important artists in residence programs in Canada welcomes over 40 artists from Quebec, Canada and abroad. These residencies are designed to proactively support the artists in the development of new works, production of innovative art projects and integrators of digital production tools at their broad spectrum of art practices today. Artists are welcomed for stays intensive creation and are supported in their explorations, with expertise and sensitivity, by a specialized team of technicians / artists in a large computer lab consisting of four wide-format digital printers. To order this issue or to subscribe to the magazine The Art PORTS:
(819) 375-6223 art@lesabord.qc.ca http://www.lesabord.qc.ca
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