Im Very Wet Before My Period

Ana Rewakowicz







Ana Rewakowicz




Artist in Residence Artist in Residence

Covoiturage Montreal Fredericton

Noémie Payant-Hébert Alexandre

Noémie Payant-Hébert

RUNNING RABBITS: THE FUTURE STARTS

Français FOLLOWS

OPENING
Thursday, October 28 at 17:00

EXHIBITION from 28 October to 16 December 2010
The film installation Running Rabbits: Builder of future applies to reconcile the speech and language unique to cinema, video and installation and seeks to embody the elusive cinematic fiction. Inspired by the world of construction and forestry woodlot as the backbone of a drama on hold, the work thus constitutes an attempt to give them a highlight film, senior.
Interested in the concept of projection images animated as a way to create or offer fiction in material things, Noémie Payant-Hébert in this work uses sound and video in particular in terms of the digital landscape and the sound design. Shipyard future, our forests are built and demolished, despite everything, it will always fill and evacuate raging ambitions of change, fear of loneliness, a desire for discovery, and needs belonging.

This project follows a residency at Daimon production center and is produced with the support of the Council arts and letters in Quebec. Noémie Payant-Hébert holds a Master of Arts-oriented video, installation and decoration and a BA in film and video from the University of Quebec at Chicoutimi. Interested in developing the concept of gray film, she seeks her practice a possible reconciliation between languages and plastic film. His work has been presented in solo and group exhibitions including Quebec and in various festivals devoted to short films (Festival at a Glance Saguenay International Short Film, and Videographers Wanted EICV Montreal) is also one of four active members and founders of the artists Schedule 40 (the slide, Alma 2010, Biennale ORANGE St-Hyacinthe 2009, Sagamie Centre, Alma 2010, Quebec 400e, 2008, International Festival of the Gardens, 2006-2010). Also working in sets and props, she has participated in various film and television productions: "Trajectories" (Genevieve Poulette, Montreal 2007), "Smoke Without Fire" (Roger Sutton, Saguenay 2006), "Rumors" and "A World Apart "(2005, Sphere Media Montreal).

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Noémie Payant-Hébert

RUNNING RABBITS : CHANTIER D’AVENIR

English follows
Opening
Thursday, October 28, 5 p.m.

Exhibition October 28 - December 16, 2010
The film installation Running Rabbits: Chantier d’avenir is an attempt to reconcile the dialogues and languages of film, video and installation and to give shape to the elusive quality of cinematographic fiction. The work presents an apparently suspended drama based on the realities of the logging camp and wood lot, which are endowed with a cinematographic dimension extending beyond the frame.
Driven by a keen interest in creating or suggesting fictitious narratives through the projection of animated images upon material objects, Noémie Payant-Hébert employs sound and video in this work, particularly through the use of digital landscapes and music loops. Ongoing worksites, our forests are raised up and cut down, an activity which will remain tied to the satisfaction and exhaustion of raging ambition for change, fear of solitude, thirst for discovery and need to belong.

The present project was completed during a creative residency at the Daïmon production center and with the support of the Conseil des arts et lettres du Québec. Noémie Payant-Hébert completed a Master's degree in art, with a special focus on video, installation and set design, and a bachelor's degree in film and video at the Université du Québec à Chicoutimi. Interested In developing the concept of "cinema gris", she attempts to reconcile, through her work, the different languages of film and plastic art. Her work has been featured in solo and group exhibitions, most notably In Quebec and short film festivals (Festival Regard sur le court métrage au Saguenay, Vidéastes Recherchés and EICV Montréal). She Is also one of the four active and founding members of the artists' collective Cédule 40 (La Glissoire,Alma 2010, Biennale d’art ORANGE In St-Hyacinthe 2009, Centre Sagamie, Alma 2010, Quebec 400e,2008, Festival international de Jardins de Métis, 2006-2010). Also working in set design and accessories, she has participated in numerous film and television productions: "Trajectoires" (Geneviève Poulette, Montreal 2007), "Fumée sans feu" (Roger Laliberté, Saguenay 2006), "Rumeurs" and "Un monde à part" (2005, Sphère Média Montreal).

What Does A Glitterty Black

Pay

Alexander Pay

Artist in Residence Artist in Residence

(Français FOLLOWS)

History
The work of Alexander Payer, multidisciplinary artist degree in Fine Arts from the University of Quebec at Montreal (2009), recipient of several academic awards, surprised by his humility and resourcefulness when the diversion of the material. By the theoretical load that infuses his pieces, not without a touch of humor, he invites the public to participate in the scaffolding of a pseudo-science, to produce unexpected truths. Recent projects revolve around initiatives independent laboratories exchanges between artists and exhale as Produce: Life in the praxiodrôme presented to the versatile space of a barrack in Montreal (2009), or creative workshops open to the public as Artnivores, the last Biennale sculpture of St-Jean-Port-Joli (2010).

artistic approach essentially transdisciplinary work Alexander Paying moving around the transformation or movement of objects and common infrastructure to put forward their ability to evoke a metaphor rather than their use. The alterations are always done with transparency to show that these do not fall under the deception or illusion, but rather represent attempts to enter humbly into dialogue with culture. And passing through the system for testing certain cultural concepts the artist revisits, reopening the discussion about their true nature and function, debate in which all can then participate.
With each new venture, this young artist confronts a voluntary sector or a different place he has to manipulate resources in order to reveal unsuspected manner, the symbolic hidden. His work then becomes the director who re-orchestrated elements to be assigned to produce meaning, to emphasize the strengths and tensions of the system in which it will evolve.

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Alexander Pay

Artist in Residence

Background Alexandre Payer is a multidisciplinary artist with a degree in visual arts from the Université du Québec à Montréal (2009) and his work, which has garnered numerous academic awards, is a surprising blend of humility and ingenuity in its novel use of materials. Through the often humorous introduction of a theoretical component in his work, he invites the viewing public to participate in the elaboration of a pseudo-science and the uncovering of unexpected truths. His most recent projects, such as
Produire et expirer : La vie dans le praxiodrôme, presented at the multi-purpose locale of La Baraque in Montreal (2009), have revolved around independent work undertaken in artistic exchange workshops or creative workshops open to the public, such as in Artnivores, the last Biennale de sculpture in St-Jean-Port-Joli (2010).

Artist’s Statement Alexandre Payer’s work is essentially trans-disciplinary and seeks to transform and shift current objects and infrastructures and reveal their ability to evoke metaphor rather than use. The transformations are always presented in a transparent manner to show that they are not based on trickery or deception but are rather representations of a humble attempt to establish a dialogue with the culture. Using the installation to examine certain cultural concepts, the artist then revisits them, reopening the debate on their true nature and function, a debate which everyone can participate in.
With each new undertaking, this young artist willingly confronts a new discipline or space whose resources he must then manipulate in such a way as to bring to light their unsuspected modalities and hidden symbolic significance. His role becomes that of the director who rearranges the elements at hand in order to imbue them with meaning and expose the forces and tensions contained in the system within which he operates.

My Dog Has Spondylosis

Claire Beaulieu

Claire Beaulieu

Artiste en résidence / Artist in Residence

(Français FOLLOWS)

Committed to a multidisciplinary approach in painting, sculpture and installation, she creates narrative spaces inspired by biology, botany, astronomy, sacred and profane. Recent works are vested with issues related to the use of glass and lighting. The human figure is treated as an archetypal icon. Social or religious codes are reinterpreted to make room for reflection on our humanity. In this space, a glass bead can be seen as part of a necklace, an atom, a cell, a star, a meeting place, a mark of passing time ... These different visual scales merge to create a space that glorifies and transforms the real space metaphorical and poetic.
His work has been the subject of several solo exhibitions in Quebec, Canada and abroad, most recently in Chicago, San Francisco and the Roswell Museum in New Mexico. She also presented her work through exhibitions duets and groups, including New York, Mexico City, Paris, Basel, Montreal. Claire Beaulieu holds a Master of Arts University of Quebec at Montreal. She made several training courses in France, the United States and Mexico. Fellow repeatedly Council of Arts and Letters and the Quebec Council of Arts, she was also selected to participate in many international artist residencies, including the prestigious Villa Montalvo in California and spent one year Quebec studio in Basel, Switzerland.
The artist has made works in the context of Quebec's policy of 1% for public art. His work has been the subject of several recent publications, 25th Years of New Glass Review, published by the Corning Museum of Glass (New York). His works are in numerous public and private collections in Canada and abroad.

native of Arvida, she lives and works in Montreal. In addition to teaching at Cegep du Vieux Montreal since 1996, she taught at Cegep André-Laurendeau, University of Hull and University of Montreal.

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Claire Beaulieu

Artist in Residence

Employing a multidisciplinary approach which combines painting, sculpture and installation, she creates narrative spaces inspired by biology, botany, astronomy, the sacred and the profane. These last works confront the challenges of working with glass and its response to light. The human form is treated as an archetypical icon. Fresh reflections on our humanity ensue from a reexamination of social or religious codes. Within this space, a glass pearl may be variously perceived as part of a necklace an atom, a cell, a star, a point of confluence, an indication of the passing of time… These different visual levels combine to create a space which magnifies and transforms what is real, a space of metaphor and poetry.

Her work has been featured in several solo exhibitions in Quebec, Canada and abroad, most recently in Chicago, San Francisco, and at the Roswell Museum in New Mexico. She has also presented her work as part of group exhibitions in cities such as New York, Mexico City, Paris, Basle, and Montreal.
Claire Beaulieu completed a Master’s degree in visual arts at the Université du Québec à Montréal. She went on to perfect her craft in France, the United States and Mexico. She has been the recipient of grants from the Conseil des arts et lettres du Québec and the Canada Council for the Arts and was selected to participate in several international artist residencies, including the prestigious Villa Montalvo in California and the Quebec studio in Basle, Switzerland. This artist’s work has been featured as part of the Quebec 1% for public art initiative and has appeared in numerous publications, most recently the 25 Years of New Glass Review, published by the Corning Museum of Glass in New York state. Her work is also included in public and private collections in Canada and abroad.

Originally from Arvida, she now lives and works in Montreal. She has been teaching at the Cegep du Vieux Montréal since 1996, and has also taught at the Cegep André-Laurendeau, the Université du Québec à Hull and the Université de Montréal.

Funeral Caskets Forbabies

CORINE LEMIEUX

CORINE LEMIEUX

en route

Anne-Marie Ninacs , author
LANCEMENTde PUBLICATION

Published by the Centre SAGAMIE
This Thursday, October 14, 2010 to 5:00 p.m.
At the Gallery Gallery JOYCE Yahouda

372, rue Sainte-Catherine Ouest # 516, Montreal, 514 875-2323
Exhibition October 14 to December 11, 2010
Exhibition October 14-December 11, 2010

Français FOLLOWS

In his photographic practice, Corine Lemieux chooses to deal with situations as they present themselves to it in meetings or activities of daily living. It produces series that interrogate the complexity of human relationships (Series braces, ties, meetings, portraits, crosses, bonds), the elusive nature of phenomena (series barriers, fuzzy, out-fields, reflections, shadows, light), transitions and the Dead (series corpses, wounds, still lifes, offerings), places with which we share (Series environments, atmospheres, house, workshop) and still found a series of words that name somehow all these realities. These are the open series, whose first pictures were taken in 2001, which are all en route.
art practice revolves mainly around Corine Lemieux notions of transformation, interaction and exchange. It explores the nature of the composite and changing identity. His sculptures, drawings and photographs are an invitation to consider the constant changes affecting the various materials or interpersonal relationships.

Biography
Born in Montreal in 1973, Corine Lemieux is a multidisciplinary artist who lives and works è Montreal. She holds a Bachelor of Fine Arts from the University of Quebec at Montreal. His work has been presented in several venues in Quebec, Canada and Italy. She has exhibited including Skol (Montreal, 1998), Galerie Clark (Montreal, 1999), the Eye Poisson (Quebec, 1999), Espace Virtuel (Chicoutimi, 2001), Gallery 101 (Ottawa, 2002), Optica (Montreal, 2003) and Galerie Joyce Yahouda (Montreal, 2006). In 2002, she participated in the exhibition Americhe presented in Milan in Italy, La Fabbrica Del Vapore. Alongside his solo practice, Corine Lemieux filed from 2004 to 2009, the group VIA with the artists Sylvie Cotton and Massimo Guerrera, and together they were among those taking the International Contemporary Art Symposium of Baie-Saint-Paul (2007 ) and the State Emergency organized by ATSA (2008).

Corine Lemieux thanked the Centre and Anne-Marie SAGAMIE Ninacs
The book
en route is published by the Centre SAGAMIE
With texts Corine Lemieux and Anne-Marie Ninacs

Order / To order:

Corine Lemieux
en route
Authors: Corine Lemieux and Anne-Marie Ninacs 128 pages, text Full French and English, 11X7po.
128 pages, full text in French and Français, 11X7in.
ISBN 978-2-923612-21-8 2010
Price: $ 30.00 + Shipping in Canada 5.00 1.75 + gst + pst 0.39 = Total: $37.14
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CORINE LEMIEUX en cours de route

Anne-Marie Ninacs , author
Published by Centre SAGAMIE
Opening and book launch
Thursday, October 14, 2010, 5pm

at JOYCE YAHOUDA Gallery
372, Sainte-Catherine street, West #516, Montreal, 514 875-2323
Exhibition October 14-December 11, 2010
In her photography, Corine Lemieux chooses to make do solely with what already exists, with situations as they occur in daily encounters or activities. She produces series, always linked to questions of the complexity of human relationships (accolades, links, gatherings, portraits, liaisons), the ungraspable nature of phenomena (obstacles, blurs, out-of-focus, reflections, shadows, light), transition and death (corpses, wounds, still lifes, offerings), the space we cohabit (environments, ambiances, house, studio) and finally a series of found words that in a certain way name all these realities. These are the open-ended series, begun in 2001, that constitute the along the way ensemble.

Lemieux’s artistic practice focuses on notions of transformation, interaction and exchange. She explores the composite, moving characters of identity. Her sculptures, drawings and photographs invite the viewer to consider the perpetual transformations affecting materials and interpersonal relationships.


Biography
Born in 1973, Corine Lemieux is a multidisciplinary artist living and working in Montreal. She studied in the Université du Québec à Montréal. Corine Lemieux’s work has been exhibited throughout Quebec, Canada and Italy, notably at Skol (Montreal, 1998), Clark Gallery (Montreal, 1999), l’ Œil de Poisson (Quebec City, 1999), l’Espace Virtuel (Chicoutimi, 2001), Gallery 101 (Ottawa, 2002), Optica (Montreal, 2003) and Joyce Yahouda Gallery (Montreal, 2006). In 2002, she participated in the Amériche exhibition presented in Milan, Italy, at La Fabbrica Del Vapore. She formed with the artists Massimo Guerrera and Sylvie Cotton the collective VIA from 2004 to 2009. VIA participated in events that included the International Symposium of Contemporary Art in Baie-Saint-Paul (2007) and L’État d’urgence, organized by ATSA (2008).

Corine Lemieux wishes to thank Centre SAGAMIE et Anne-Marie Ninacs
The book
en cours de route is published by Centre SAGAMIE
With texts of Corine Lemieux and Anne-Marie Ninacs

Order / To order:

Corine Lemieux
en route
Authors: Corine Lemieux and Anne-Marie Ninacs 128 pages, text in French and English, 11X7po.
128 pages, full text in French and Français, 11X7in.
ISBN 978-2-923612-21-8 2010
Price: $ 30.00 + Shipping in Canada 5.00 + 1.75 + gst qst = 0.39 Total: $ 37.14

Change Npc Clothes Oblivion

AUDE


Aude Moreau

Harold And Kumar, Guantanamo Bay Bottomless Scene

IABD

Creating IABD official, the archives interassociation libraries documentation.

http://www.iabd.fr/spip.php?article106
http://kotkot.blogspirit.com/archive/2010/10/04/lorsque-l-iabd-parait-le-cercle . html
http://www.bibliobsession.net/2010/10/05/liabd-sofficialise/

His role will be to apply retrospectively exceptions to French and European law renew the information professions to make them vector of knowledge and freedom for all people in the XXI century.

For the new logo I imagine a little man who must raise a lot of files ...



Edit: here is the real logo. http://www.addnb.fr/spip.php?article649

Dermatomyositosis In Dogs

MOREAU Eric Sauve



Eric saved

Artist in Residence Artist in Residence

(Français FOLLOWS)

's work Eric Sauve often takes as its starting point the collection / accumulation of dirt or artifacts he transforms, manipulates, reassembles. For this project, he takes material as the graffiti tags he identified in the streets of Montreal. Always interested to orchestrate or enlarging areas ambivalence, the artist is challenged by the dual desire for anonymity and renowned graffiti artists, vandals and some other virtuoso.

In this project, it handles tags as ornament, in monochrome white recalling the elegance of narrow silk tapestries, emphasizing the finesse calligraphic signatures and sanitized.

Eric Sauve lives in Montreal. His work has been exhibited in numerous galleries and art centers in Canada, Spain and France. Among the public places he has invested so ephemeral and permanent include the Chateau de Tours, France, Calgary Theatre Junction, the Orford Arts Centre, Theatre Usine C and the Esplanade at Place des Arts in Montreal .

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Eric Sauvé

Artist in Residence

The work of Eric Sauvé often takes as its starting point the collection and accumulation of artifacts and residual objects which he subsequently transforms, manipulates and reassembles. For the present project, he has taken as his raw material the tags of graffiti writers which he has gathered from the streets of Montreal. Always intent on orchestrating or accentuating zones of ambivalence, the artist is intrigued by the two-fold desire for anonymity and fame exhibited by graffiti artists, considered vandals by some and virtuosos by others.

In this project, he portrays tags as ornamentals motifs, in white monochrome recalling the restrained elegance of silk tapestries and revealing the subtle calligraphy of these sanitized signatures.

Eric Sauvé lives in Montreal. His work has been exhibited in numerous galleries and art centers in Canada, Spain and France and has-been installed, and Permanently Both ephemerally, in public spaces Such As The Castle Tours in France, in Calgary Theatre Junction, the Arts Center in Orford, & the Esplanade Theatre Usine C and at Place des arts.

37.4 Temperature Adult

Public Lecture and improvised music

Public Lecture