Launch of two publications produced by the Centre SAGAMIE
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Tuesday, January 18, 2011
Gold Arrows Airsoft Shotgun
BORAN RICHARD Night blindness, Being expandable
Between the idea and the book published two years have passed. I wanted to change my image ratio, seduction, creation. The visual silence to which I lent me transported to the dream-image: an image that does not show, but suggests that in terms of going beyond the lines, to allow the imagination to see otherwise real. I also wanted to return to the foundation of animation or photography. Indeed, when I make an animated film, I take pictures, lots of photos, and movement - the time? becomes possible in the rapid succession of these images. But then, this movement devours each picture and removes the burden they bear to lose them in turmoil. After all the wandering camera, I note that the term may also exist in an image.
In the last ten years, Boran has developed an artistic practice in animation and photography. His films have been broadcast in more than sixty international events (Canada, USA, Mexico, France, England, Australia, Greece, Israel, Slovenia, Asia). He has participated in various events including visual art Symposium Baie-Saint-Paul in 2006. For three years he worked on various projects in theater and dance as a videographer, lighting designer and stage designer. In 2011, we may see a short film festival presented at Insight's short film, co-directed by Alain Corneau and he made the video for the play's meaning
Heading Theatre, presented in February. In July 2011, he will spend six months in Montreal in Montreal studio CALQ to make a dance film animation.
STEFANIE TREMBLAY
RINCEBOOK, 30 days never offline
Rincebook is the result of an experiment demonstrating the loss of time to flirt on social networks like Facebook. Presented under the title
30 days, never offline , Stefanie Tremblay told through this book and the simple movements of everyday thoughts insignificant to the screen of a computer. Cloistered one month within four walls, she questioned some of his "addiction" strange voyeurism or interest in a new poetry ephemeral sculpture. Instead of displaying his feelings in public, the artist uses Rincebook
diary as setting a unique aesthetic language in which drawings, archives and photos displayed. A Brief History of lancing of blackheads, looking for potential lovers and / or speed drills language without punctuation ... Lies, reviews, publications, isolation and pathos solicitors reflect the Dark Side of Facebook.
Stefanie Tremblay lives and works in Saguenay. After undergraduate degree at the University of Quebec at Chicoutimi, she obtained a Bachelor of Fine Arts and Cinema (2006). She also completed her Master of Arts, EDO (2009). In her research, she looks ridiculous self-reflections on their life, vowing to make his life a narrative inspiration for his artistic self-creation projects, oriented to various digital processes and stained by the writing and rock. Constantly staging, the artist retains the ambiguity about the nature of his character, not knowing even itself if it is fiction or real news intimate.
His works have been presented in solo exhibitions at Toque Rouge and the lobe (Chicoutimi) in the context of the long summer residence (2007). His latest project The long game was presented at Espace Virtuel (Chicoutimi) in winter 2009. His video work was shown in group exhibitions (The work of the Other, Chicoutimi) and during the festival Videographers Wanted (Quebec). Rincebook is her first film as Notebook artist.
Boran Richard
Night blindness, Being expandable 80 pages, text in French only, 6.25 X 8.5 inches. ISBN 978-2-923612-24-9 2010
Price: $ 20.00 + Shipping in Canada 1.15 3.00 + gst + pst = 0.27 Total: $ 24.42
Stefanie Tremblay rincebook, 30 days never offline RINCEBOOK, 30 days never offline
Rincebook is the result of an experiment demonstrating the loss of time to flirt on social networks like Facebook. Presented under the title
30 days, never offline , Stefanie Tremblay told through this book and the simple movements of everyday thoughts insignificant to the screen of a computer. Cloistered one month within four walls, she questioned some of his "addiction" strange voyeurism or interest in a new poetry ephemeral sculpture. Instead of displaying his feelings in public, the artist uses Rincebook
diary as setting a unique aesthetic language in which drawings, archives and photos displayed. A Brief History of lancing of blackheads, looking for potential lovers and / or speed drills language without punctuation ... Lies, reviews, publications, isolation and pathos solicitors reflect the Dark Side of Facebook.
Stefanie Tremblay lives and works in Saguenay. After undergraduate degree at the University of Quebec at Chicoutimi, she obtained a Bachelor of Fine Arts and Cinema (2006). She also completed her Master of Arts, EDO (2009). In her research, she looks ridiculous self-reflections on their life, vowing to make his life a narrative inspiration for his artistic self-creation projects, oriented to various digital processes and stained by the writing and rock. Constantly staging, the artist retains the ambiguity about the nature of his character, not knowing even itself if it is fiction or real news intimate.
His works have been presented in solo exhibitions at Toque Rouge and the lobe (Chicoutimi) in the context of the long summer residence (2007). His latest project The long game was presented at Espace Virtuel (Chicoutimi) in winter 2009. His video work was shown in group exhibitions (The work of the Other, Chicoutimi) and during the festival Videographers Wanted (Quebec). Rincebook is her first film as Notebook artist.
Boran Richard
Night blindness, Being expandable 80 pages, text in French only, 6.25 X 8.5 inches. ISBN 978-2-923612-24-9 2010
Price: $ 20.00 + Shipping in Canada 1.15 3.00 + gst + pst = 0.27 Total: $ 24.42
68 pages, text in French only, 6 1 / 2 X 9 1 / 2 inches. ISBN 978-2-923612-23-2 2010
Price: $ 20.00 + Shipping in Canada 1.15 3.00 + gst + pst = 0.27 Total: $ 24.42
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